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Arunachala

Temple

Ramana Maharshi

Saints

Daily Sacred Teachings

Digital Experience Centre

Resources

About

info@arunachalasamudra.in

Arunachala

Temple

Ramana Maharshi

Saints

Daily Sacred Teachings

Digital Experience Centre

Resources

About

Second Prakaram

Central Shrine

Sri Sambanda Vinayagar Shrine

The Sambanda Vinayagar Shrine is located south of the Flagstaff and Bali Peeta. It is told that Vinayagar killed a demon and smeared his body with the demon's blood - hence this Vinayagar appears red and is thus called Sennira Vinayagar (Red Vinayagar). The large idol, which is in sitting pose, is considered to be one of the biggest images of Ganapati in Tamil Nadu.

Sri Sambanda Vinayagar Shrine

At this place can be found an inscription dated 1340 A.D. of the region of Veera Vallala Deva. From this epigraphy we learn that one Sambandan lived in Tiruvannamalai and was President of a popular Mutt. It was he that built the shrine for Vinayagar; hence it is called Sambandan Vinayagar.

Sri Sambanda Vinayagar Shrine 1913

The above photograph of 1913 shows the Vinayagar Shrine separate from the Central Shrine. In this photograph the Kodi Kampathu Nandi (3rd Temple Nandi) was in its own mandapam with Vimana. Subsequently this outside area was remodelled and covered with roofing.

Dhwaja Stambh (Flagstaff)

Next to the Dhwaja Stambh is a large sacrificial altar (Bali Peeta) and Kodi Kampathu Nandi (third Nandi of the Temple from east to west) facing the Garbagriha. This Nandi no longer is set in its own Mandapam with Vimana.

Kodi Kampathu Nandi

The Dhwaja Stambh which is fashioned in teak and covered with gold was installed at this Shrine in time for the 2002 Arunachaleswarar Mahakumbhabhiskeham. To read about that function go to this link here.

Flagstaff and Balipeetam

The Dhwajastamba was originally erected by Krishnadevaraya, but it is now difficult to say when (or even whether) it was replaced as it does not tally with the description given in Krishnadevaraya's inscription.

A small Gopuram called the "Rishi Gopura" is situated next to the flagstaff. This Gopura was originally the gateway to the Temple at an earlier time. In a niche in the wall of the entrance on one side is a small image of Lord Ganesha and on the other side an image of Lord Subramanya. Nearby is a large statue of Adikara Nandi and those of the Dwarapalakas (Temple gatekeepers).

Subramanya Shrine

Right to the Flagstaff at the entrance to the second prakaram is a shrine dedicated to Lord Subramanya. This shrine is also supposed to have been built around the same time as the Sri Sambanda Vinayagar Shrine i.e. the 13th century.

Second Prakaram

Saint Sivaprakasa Swamigal in his Thiruveedhi Ula has called Arunachaleswarar Temple a poem wrought by seers. This great Arunachaleswarar Temple is spread over 25 acres and has like all other Temples, garbagrihas, maha mandapams, prakarams, Gopurams and sacred tanks.

The Siva Temple is the outcome of a millennium of building and extension. The original enclosure containing the main shrine was enlarged eastwards, and gained the name of "second enclosure". What is now known, as the "first enclosure" is in fact the platform around the shrine. This is a theoretical enclosure for ritual purpose, the enclosure being considered as the inner circle of Siva's Divine Court, where the sub-shrine of Chandikeshvara (one who maintains accounts), receives the leftovers from Siva's puja, is located.

The second enclosure, originally without a roof but covered in the nineteenth century, is entered through a gateway know as the Rishi Gopura. It is believed that the entrance used to be on the southern side, but the Nattukottai Chettiars (renowned religious philanthropists) raised a wall of the prakaram and covered it with stone roofing and shifted the entrance from the southern side to the eastern side in line with other entrances. Around the perimeter of this prakaram there are several details, either free-standing or in small shrines.

Entering the second prakaram one crosses a threshold with two large doors, on other side of which are two large bells which are rung during the time of arati. Walking around this prakaram are a large number of idols. Some of these Shrine and images are not original - for rich Temples frequently undergo renovations. Thus the original tenth-century "Seven Mothers" have been replaced by more modern representations; and Jyeshtha, the Goddess of misfortune, also an ancient statue, now stands near a shop in the town of Tiruvannamalai, ousted from the Temple in favour of Gajalakshmi, as has happened in many other Temples in Tamil Nadu.

The statues currently in the second prakaram of Arunachaleswarar Temple include; Asta Lingas (similar to those on the girivalam roadway), the four great Nalwars: Appar, Sundarar, Sambandar and Manikkavacakar, the four sons of Brahma, the 63 Nayanars (Saivite saints), an idol of Ayappan and the Sthala Vinayagar which was erected by Sembiyan Mahadevi the Queen of Kandaraitha Chola and dates from the 10th Century. Before functions and Festivals celebrated at Arunachaleswarar Temple, puja is first done to this aspect of Lord Ganesha.

Next to the Sthala Vinayagar at the back of the prakaram, are the Periyaudar Uttsavars, Ardhanarishvara, Venugopal Shrine, Lingams, Gajalakshmi and Lord Murugan with Valli. There is an interesting story attached to the Venugopal Shrine. It seems the statues of Krishna and His two wives was originally in a small Vaisnava Village of Agraharam near Samudram Eri located some two miles south of Arunachaleswarar Temple. Legend has it that the people of Agraharam, during certain festivals, carried the Utsava Moorthies from their village Shrine to Tirukoilur (a Vaisnava centre with a large Vishnu temple), about 20 miles away.

The Vaisnava inhabitants of Agraharam were very devoted to their Vaisnava God and whenever Saiva idols from Arunachaleswarar Temple passed during circumambulation of Arunachala, the incensed Vaisnava villagers would attack the procession. Repeated complaints of this disturbance were made to the King (probably Kulottunga I). It is said that the King himself visited the area to satisfy himself of the complaint.

Once satisfied of the situation, the King ordered that during a particular festival all the villagers should go in procession to Tirukoilur. When they had gone, he had the images of Venugopal and his Devis removed from the Village Shrine, brought to Arunachaleswarar Temple and thereupon installed at the back of the Siva Sannidhi.

On the Northern verandah are the Utsava-Murthis of the 63 Saiva saints, a shrine of Bhairava (aspect of Siva) and the Vaikunta Vail.

Vaikunta Vail

The doorway known as the Vaikunta Vail, (the Gates of Heaven) opens to the third prakaram and opposite to the Devi's Shrine. Vaikunta Ekadasi (Ekadasi is synonymous with fasting and abstinence) is an auspicious day dedicated to Lord Vishnu. It occurs in the month of Margashirsha (between December and January). In Tamil Nadu the festival is known as Mukkoti Ekadasi or Sorgavasal Thirappu.

On this day, the Vaikunta Dwaram or the Swarga Vaasal, 'The Gates of Heaven' are believed to be kept open. The area encircling the Arunachaleswarar Sanctum is referred to as Swarga Vaasal and devotees throng to gain entry into the Temple, to seek the Lord. To find out the significance of Vaikunta Vail at Arunachaleswarar Temple go to this link here.

Vaikunta Vail

Adjacent to this doorway is the retiring room for Sri Arunachala and every night a ceremony of taking the Lord to that room for rest is observed. To read a narrative about this ceremony go to this link here.

Next to the doorway is the tank that supplies water for worship in the Central Shrine and thereafter a Nataraja Shrine, where the image of the Dancing Lord is made of brass. It is said that below the site where Nataraja is installed, an underground cellar was found from which many valuable articles were recovered and handed over to Temple authorities. There is a similar story of a cellar in the Kili Gopura from which jewellery was recovered and given to the Temple.

© 2025 Arunachala Samudra. All rights reserved.

© 2025 Arunachala Samudra. All rights reserved.